Individuality in 20th Century Art Essay

20th Century art has spawned great art forms. Its evident transformation had triggered the promontory of whether or non the development was caused by the pure genius of the artist or by the antecede art that he was born into. This essay will discuss how the artists of the 20th century have do art almost indefinable (Nicolas Pioch, The 20th century) by expression into the quotes of Immanuel Kant (1790) and Andre Malraux (1953), as well as looking at some actual relieve starselfs before and after 1950 which would illustrate that art has clearly fuck off an expression of an artists emotions and thoughts as honed by the past.As individuality steps in, we will most look at how an individuals soul is actually affected by his experiences and orientation on various aspects of his existence such as how he could have been raised, how he whitethorn have been loose to previous artworks and the like. Immanuel Kant, in his quote from the Critique of Judgment (1790) had clearly defined genius as, a talents for producing that for which no definite rule can be given.I believe that this is like how scientists atomic number 18 referred to as geniuses, they have defied popular beliefs or what had actually become a norm for their time or era. They would produce materials that are not everyday for the majority. Similar to this, I believe that such was also the shell as he may have found that an artwork, which proved to be unequaled for its genre, is already a increase of a genius. A good example of what was said to be a work of a genius was that of Vincent Van van Goghs Starry Night and Donatellos Crucifix (images sh own in the Documentation).These were considered singular and were painted outside the what was considered as standard during their time or era, as these works had clearly defied the usual idea of what our usual picture of the heavens is (Starry Night) as well as the common picture of how savior was crucified. Texture of these creations also scream of individuality as was the case with Van Goghs work. As was said by I. Kant, airplane pilotity must be its primary property for an art to be considered as the work of a genius.It is clear he meant that it was something that was not usually done barely did not deduce it to not being influenced at all by artworks that came before them. Instead the focus was on how they have do their creations different from the others without necessarily straying from the same idea or thought. Like in Van Goghs work, there had already been paintings depicting the heavens at night but its form and grain as well as the colors utilized were clearly out of the ordinary and had been very original despite the presence of previous artworks that had been made.On the other hand, Andre Malrauxs, The Voices of Silence (1953) compared artwork to a child that matures. inwardness that art basically evolves. It does not necessarily veer away from its contemporaries but is cleard from what he may have experienced . Like a child that may have learned to walk more guardedly after acquiring a scratch from a fall, an artist was also said to rise from their own conflicts and the achievements of their predecessors.A person that may have lived within a war-torn era may create an artwork that depicts what he had witnessed, at the same time picking out best practices from works that were antecedently done by others and using them as inspiration to put his experience or what he had witnessed into a work of art. As such, A. Malraux was right about picking them out from their struggle with the forms that others have imposed on life. We note though, that experiences do not necessarily remain within the context of a persons personal struggles but can derive thoughts from their successes as well or the comfort that they may have had.A classic example is Jose Manuel Merello Arvillas bodegon electrico, which depicts Spains colorful yet subdued civilization evident in the shades and texture utilized. Simila r to this is Vijendra Singh Devras painting of a three-part series called the olive-drab Night, where the texture was actually smooth and the contrast was stark that may be an evidence of the painters experiences or social status. It may not be easy to defy the norms. An artist is faced with the endangerment of being singled out either as great or poor.The genre of which the artwork is in defines the product that the artist creates. As mentioned in Necrophilic Logics and the revolt of the imagination, http//www. geocities. com/kk_abacus/carp. html A split between the rational number and irrational is constructed by every rational system each rationality creates a corresponding irrationality, that which does not fit inside of it. Therefore, each rational system has inherent limits. To break out of a rationality, one must also be capable of conceiving of that which lies beyond the limits of that system.Rational systems can be useful tools but they can also become mental prisons. Th ere is a slim demarcation between the subconscious and the imagination of a person as it says that both are something that goes beyond the inherent limits of mans rationality. As such, it is clear that an artists genius is based on how he creates a unique description of what he has undergone or experienced as well as his absorption of what had been proven in force(p) and successful for other artists as well.